Friday, 26 October 2012

On the Road (2012)


“The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes "Awww!” - Jack Kerouac


I must admit this was the quote that made me want to read the book that has so famously divided people into two kinds - the ones who absolutely love the book and the ones who think Kerouac's writing was just hyped up following his death. I did watch the documentary on the life of Jack Kerouac, but never managed to get hold of the book. And somewhere deep within, knowing his life story, I don't want to be harsh. So lets see.


Sal Paradise (Sam Riley) is the narrator of this road trip that he and a group of friends set off on in search of meaning and spirituality. He goes around with his diary making observations on everyone around him, but it's mostly Dean that he is fascinated with. At times, we see them reading to each other  from Swann's Way by Marcel Proust.While the first half of the movie mostly helps us to get to know the characters, the second half is mostly the road trip, the people they meet on the way and how their futures are shaped. 


Dean Moriarty (Garrett Hedlund) is one hell of a charmer with a deep voice who can be the center of attention in any group. However, it's not all show and he does have a deeper side to him. We see that when he's entertaining Sal with one of his anecdotes while visiting him, and suddenly breaks into a silence, breathes deeply and says "It's good to have family, isn't?" At times his personality could be bordering on psychosis as he keeps abandoning all those who love him while being so unaware of the mess his life is.


Marylou (Kristen Stewart) is unforgettable. Sexually adventurous and so full of life. She understands Dean very well and loves him but says she can't have him since he is so mad. Among the other characters in the movie is Carlo Marx (Tom Sturridge). He has a funny way of talking and in one of the scenes he mentions about contemplating suicide and then suddenly realizing, "Oh shit, I haven't even written a suicide note. I'm going over searching my mind for the right words and then I couldn't jump anymore. In that moment I wanted to experience the wisdom of life, mad with ecstasy and vengeance and truth."  Viggo Mortensen (Old Bull Lee) and Kirsten Dunst (Camille) have nice little cameos too.


Garrett Hedlund delivers a strong performance as Dean. So does Sam Riley in his moments of despair for not being able to earn his father's respect. Walter Salles (of The Motorcycle Diaries fame) has done a good job of adapting the book (that so many claim is "unfilmable") with some lesser known actors. Though I wouldn't know how good an adaptation it is. At the end of it, I don't have any strong feelings. I'm certainly not bored as some others would say. I'm glad I watched the movie first and now I can go on to read the book. I'm afraid the other way round is always disappointing.

Rating - 7/10

Saturday, 20 October 2012

Moonrise Kingdom (2012)


Sam: What kind of bird are you?
Sparrow: I'm a sparrow, she's a dove...
Sam: (pointing to Suzy): No, I said...What kind of bird are YOU?
Suzy: I'm a raven.

How do you make a movie  with no real plot and with two twelve-year-olds as serious lovers and turn it into some escapist fantasy that's a delight to watch? Ask Wes Anderson.

The story starts with Khaki Scout Sam (Jared Gilman), an orphan, and Suzy (Kara Hayward), the black sheep, missing. Later the adults related to them, i.e. Scout Master Ward (Edward Norton), Captain Sharp (Bruce Willis), and Suzy's parents (played by Bill Murray and Frances McDormand) realize that the two might have colluded to run away together. As a search is set off for the two young lovers, we see the usual elements of a Wes Anderson movie, namely, dysfunctional families, people not in terms with reality, emotionally troubled people, etc at play.

Some of the dialogues are sharp, clever and funny, while at times they might sound dramatic. And some, between the two young lovers(remember- 12-year-olds), might make you wonder, "How did he get away with it?" But may be, that's the point. However, I wouldn't rate it above The Darjeeling Limited or Fantastic Mr. Fox.The ending was bit of a drag, but overall a must-watch for all Wes Anderson fans.

Rating: 7/10